Friday, March 28, 2008

manifesto for one's purpose

i like to think that there is a purpose to everything that every individual does. if not, then bring on the brave new world. but as a dreamer, i cant settle for what i get.

I have never been so deeply moved, disturbed, actually, by any class I have ever taken. My contemporary Literature class is slowly driving me crazy.

In the class, we are studying the common themes and concepts behind literature of all genres written in the past 20 years.

common themes include:
1. failure of a character to connect with other characters
2. inability to show emotion
3. disconnection with the world
4. rape, hate, crime, psychotic behavior, abuse, distrust, ect.
5. death
6. the acceptance of the inevitable, example: death is part of life, death makes life
7. the down side of liberation movements
8. selfishness
9. mistrust, and why mistrust is intelligent
10. the lack of value in love and human relationships
11. lack of hope
12. loss of faith, innocence, life, meaning

all of these topics are things that surface in one way or another throughout current writing.


as a writer (i.e., one who writes) I am discouraged. I never thought of my writing as adhering to any of the topics above, and yet I see, after looking at my writing through the lense of contemporary literature, that my writing is overflowing with many of those things.


After some consideration, I see that I have fallen into the trap of becoming a product of my environment. I write what I see and live through. I write about the ugliness of the human race. The downfall of education, the inevitability of death, and politics. I write about the same things that other people write about.


I cant allow myself to believe that this period in which I live will be defined as a theory of literature hundreds of years from now. Students will take some archaic class that covers my contemporaries. perhaps, instead of the Victorian, modern, post modern, renaissance, Marxist, structuralist, classical, post colonialism, semiotic, or new historicism, we will be called the "hopelessists" or "destructionists"

is there any way to change that? no. literature and art reflect the time in which it is created, but also change the time. Picasso painted in a time of great turbulence, and so his painting was chaotic. "guernica" is a perfect example. He painted a war in the most chaotic, and color-symbolic way he could. his painting reflected the war the way the war created the painting. literature is the same way. literature reflects the time, but also changes how people think.


I wish I could be so brave to think that I could change the way literature works. perhaps, in my own small way, I could.


after waking up at 4am this morning from a bad dream, i decided to consciously change my writing.

for a long time, i viewed writing as something that is very much a part of the self. i still think that way, but i understand that, like the self, writing must undergo change. static writing is boring and useless. so i want to change my writing to still follow the way of my contemporaries (because i have no choice in the matter, mostly) but in a way that allows hope.

I am at a point in my life where i refuse to settle into this American hopelessness. I cant do it. I cant look at the world as something ugly and full of hatred. I am a dreamer, and as such, i need to believe that there is a purpose, that there is meaning, that life is not defined by the absence of death.

I cant give up on hoping that the world is beautiful.


I want to write the way I want to think. but when the world around me is going to hell and people are becoming more hateful and self-centered, selfish, disconnected, i need to hang on to what i have and what i know to be possible.

I want to surround myself with beautiful things. I want to write beautiful things.


i cant avoid writing about how ugly the world is, because the world i live in is ugly. no way around it. and a story without conflict is a story without change, is a story without a story, is a story without purpose. i cant write empty stories. everything i write, fiction, nonfiction, poetry, or even expository writing, has to have a purpose. I have no time for stories about a cute little kitty or unicorns. i despise fiction about empty subjects.


i want my writing to have the weight of lead, but also a sense of hope. damn the contemporaries for creating a world of writing where denouement is not part of the plot line. nothing should end without some sort of resolution. i see the point of doing things that way, but it is sloppy, and it doesnt leave hope. there needs to be hope. i will not live in a world that has no hope.


so, i have thought about my writing and what i want to experiment with next. what is writing if not experimentation? i change my style every time i edit a story, why not change my style in terms of content? forget adding imagery and poetic device. i want to change my place in literary history. not that i expect to become part of literary history, but i feel that i need to take into account that my writing may (if i am lucky) one day reach beyond the small circle i live in. and if it does, god willing, what will people say about it. where will i fit? writing is something that can easily become a legacy. music is too plagued with luck, and art is too critical, but writing is a possibility for recognition, especially posthumously. the editor of the urbanite said that the first thing you have to do to become one of the greats is not to write fantastic pieces, but to give up the obsession you have with air. who knows where my writing will take me, or where it will go without me. but if it goes even as far as one small college lit magazine, or as far as the new yorker, or to whole books, or just my own portfolio, i do not want to be lumped into the same burlap sack with those who write about a lack of hope. they are dragging us down just as much as the topics they write about.


so. i want to write some stories where the situation is serious and the suffering is great, but the setting and description downplay it. i want to use that hemmingwayish understatement to hide the importance of the situation and to focus on the setting and characters. he was a master. perhaps he was much more ahead of his time than we thought.

I dont pretend that i will ever become a great writer, or that i will even be recognized for my writing. i actually doubt that i will. but the point is that i need to look at my writing more seriously, or else i have wasted my degree before i have even gotten it. and in that sense, i need to write something that makes me feel as though i have done something good. and if writing a story every now and then that has a little bit of beauty and hope in it is as far as i can go, then thats all i'll ever need.

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